Friday, September 11, 2009

Updates

Well, this month has really been a month of catching up after a super busy summer. I haven't had the time to post as frequently, and for that I apologize. I have some really great tutorials waiting in the wings, but you'll have to be patient.

Meanwhile, I have a few updates on classes and events, so here it goes:

Upcoming Events
If you are local I wanted to point out a fun new store I visited and trained this last week. Karen & Friends, on Main St. in Springfield OR. They just brought in Copic products and will be having a special demo TODAY, Saturday the 12th. I will not be there, but you should show up for a chance to play with markers and expand your own collection.

Then, next week you can come see me September 18-19 Mall of America, Scrapfest 2009. Minneapolis, MN. Join me, Debbie Olson, Cambria Turnbow, and many others as we demo and host make-n-takes.

October 1-3 Savannah College of Art & Design Tools of the Trade Show. This is a fabulous event with many fine-art vendors showing the best and newest in fine-art supplies. If I am not in the booth I will be busy doing class presentations across the campus, either way you should come and get some good deals on Copic Products and see what's new in the world of fine-art supplies.

Certification Classes, Fall 2009
Please note that you cannot register for classes ONLINE. You must get an application and information directly from us, either by being on our mailing list in advance or by sending me an e-mail.

September

17th Minneapolis, MN taught by Marianne FULL

October
4th Decatur, GA taught by Sally Lynn Open to the public, register NOW!
24th Coos Bay, OR taught by Marianne Open to Stores & Designers
25th Evansville, IN taught by Sally Lynn Open to Stores & Designers
28th Grand Rapids, MI taught by Marianne Open to Stores & Designers

Applications have NOT gone out for the following locations:

November
21 & 22nd, Montreal, taught by Sherrie Siemens
22nd Columbia, SC taught by Sally Lynn

December
13th San Antonio, TX taught by Sally Lynn

January 2010
10th Miami/South Florida taught by Sally Lynn (TBA)
23rd Anaheim, CA taught By Marianne

Whew! That's a lot of stuff coming up. Meanwhile, keep checking back as I add some great tutorials and possibly have some giveaways later this month. Have a great weekend!

Thursday, September 3, 2009

Water in a pond

About a year ago I first talked about how to do water and reflections on water. My post back then was advanced. Today I want to show you a beginner example of rendering water in a simple little pond.

Coloring Bodies of Water
Before we proceed I suggest that you read this entire post from last year about doing reflections. I have modified the wording slightly in today's post, but read the whole thing to see it's final application.

I have included a reference photo from a recent trip to the lake. This was taken on a slightly cloudy day, on a very still lake. Look at each of the points in the photo that I describe below.

A couple of basic rules about water reflections-
(I'm simplifying so you can color it easier):

1. Still water gives crisp reflections, moving water will be broken. The more your water is moving, the more the reflection will be broken, so it's a matter of taste as to how much accuracy your reflection has. It looks more accurate to have still water near the object and gradually make water far away more broken as the light from farther away gets more distorted.

2. Reflections are about the same size as the original object. Reflections are just a trick of light on a body of water, and from a distance the main body of a reflected object looks about the same size. There may be a few stray bits of color reflected in ripples farther out, but for the most part, keep the reflections reasonable. If there is a distortion it will usually be towards the viewer.

Don't go overboard with the reflections! Remember which part of your artwork is most important - is it the objects above water or the reflections. You'll need to make artistic choices to make the important things stand out more.

3. Water is one or two shades darker/grayer than whatever it's reflecting. This is your clue that it's a reflection. Since the sky is usually blue, your reflection water usually has a slight bluish tint to it, which is where we get the idea that water should be blue. Water is not really blue, water is clear. We just draw it blue for simplicity sake.

The mood of the water also is determined by the color of the sky. On a dark, overcast day then you'll get dark water with little light reflected. On a bright, sunny day you'll have bright water with more light reflected off the surface. In my photo you can see that it's a middle day, so the water is kinda dark, but not too bad.


Blank picture to color
I have had a few of you request that when I do a quick drawing that isn't from a stamp then I should include a blank picture to print out and color.

Here is a copy of the line drawing I am coloring today. You may print it for your own tutorial purposes. You can color with Copics over some inkjet printouts, so test before you print to know if your particular ink will bleed or not. Otherwise, you can print it on a laser printer or photocopy it and you'll have no problems coloring.

Water In A Pond
I'm starting today with anything above water already colored. That way we can focus on just the water. You'll see that my sky is a nice light B00 and my grass is a simple YG03 and YG07 combo. The rocks are a neutral gray and the cat-tails are a simple brown. This is a nice, easy scene to color - until you start coloring the water.

Let's take it in easy steps so you don't feel overwhelmed.

If we start by coloring the water the same color as the sky you can quickly see how flat and fake our scene looks. However, we must remember that the water will be the same tone as the sky - just slightly darker and grayer.

By adding a base tone of our sky color it will give the final picture hints of our underlying blue sky and pull the two elements together more. So go ahead, color your water with the same color as the sky (Other colors I like for blue skies include B0000 or B000, B32, BG10, BG0000)


Next, we need to darken the water and tone it down a bit.

If I add a color that is in the same blending group as the sky then our water will be too vibrant. Remember, water is more gray than sky. In this case I will need to use a blue that is grayer by about 2 or 3 families, so I reach for something in the B30's. The lightest shade is B32, the last digit - 2 - tells me that it will be 2 shades darker than our original color which ends in 0.

I shadow the edges of the pond with the B32 and I leave the middle area still light, as this would have the most direct reflection of the sky. Already this is a big improvement over the flat blue we first had.

Time to add contrast. Remember, contrast makes things more interesting so we should always look for ways to improve our work. To give the water contrast and shadows I reach for a color that is 2 shades deeper than B32, which would be B34.

I darkened things near the shore, and the shadow side of each object near the water. I'm not adding too much, just enough to make it look interesting. Then I take the B32 and smoothly blend the dark blue into the middle color (You can leave yours kind of streaky as long as your streaks are in the same direction as the ripples). I also added a hint of shadow to the ripples to add variation as well.


Now we can add the reflections of objects. This is a matter of personal taste. You might like the water just as it is.

I start with the largest objects. In this case it's the rocks. I take the same two grays I used on the rocks and I am lightly scribbling in the direction of the ripples. Note how it's not smooth and perfect and you can still see blue under the gray. This is OK. This is what increases the illusion of water. You can see that where I have a ripple I left the darker blue alone. This also heightens the idea of water.

The rock closest to us is much bigger and closer, therefore it's reflection is much crisper and deeper. The ripples don't affect it as much when it's that close.

Now I can add the shadow of the grass. I use the darker of my two grass colors and lightly add the illusion of grass. to darken it up I added hints of the B34. This helps give the water a deeper, brighter blue-green feel, and it tones down the vibrant YG. Now our little pond looks almost done.

For the final step today I need to add white back in. To do this I took some opaque white and a very fine paintbrush (or toothpick) and I painted back in a few small highlights. I added some glints of light to the ripples in the water and I gave a dab of highlight to each of the objects in the picture as well. Now we can really feel how bright and crisp our day is with the sun shining on our serene little pond.

If you try coloring today's tutorial please send us a link of your example. I would love to see your colored picture! Have fun coloring.

Friday, August 28, 2009

Friday Links & Class Updates

It's been a while since I updated upcoming classes and certifications. As I get updates I try to regularly post those, so keep checking back for more details. Today you can also find a couple of great art links to keep you inspired over the weekend.

Upcoming Papercrafting Certification Classes
There are two ways to get an application for any of the upcoming classes. For any class that has already had the application already sent out you need to e-mail me at marianne@copicmarker.com and I will gladly send you one. For any class that has not had applications sent out please add yourself to the mailing list using the green sign-in box on the right. Be sure to mark which location for certification you are interested in, or you will not get an application on that mailing.

September

17th Minneapolis, MN (from 1pm to 7:30pm, buffet dinner included, $130) taught by Marianne Open to the public, register NOW! This class is filling fast.

October
4th Decatur, GA taught by Sally Lynn Open to Stores & Designers
24th Coos Bay, OR taught by Marianne Open to Stores & Designers
25th Evansville, IN taught by Sally Lynn Open to Stores & Designers
28th Grand Rapids, MI taught by Marianne Open to Stores & Designers

Applications have NOT gone out for the following locations:

November
22nd Columbia, SC taught by Sally Lynn

December
13th San Antonio, TX taught by Sally Lynn

January 2010
10th Miami/South Florida taught by Sally Lynn (TBA)
23rd Anaheim, CA taught By Marianne

Upcoming Events
This fall there are lost of special appearances I will be making all across the United States. Come visit me and learn some neat hands-on techniques at one of these fine venues.

September 18-19 Mall of America, Scrapfest 2009. Minneapolis, MN. Join me, Debbie Olson, Cambria Turnbow, and many others as we demo and host make-n-takes.

October 1-3 Savannah College of Art & Design Tools of the Trade Show. This is a fabulous event with many fine-art vendors showing the best and newest in fine-art supplies.

October 23 Memories of Time, Stamping Workshop, Coos Bay, OR.

November 14, Jordan Schnitzer Museum of Art, Eugene, OR. This drop-in event will be in conjunction with the upcoming Comic Book/Superheroes gallery show.

November 19 & 20th, University of Oregon Tools of the Trade show. Come to the annual art-supply trade show hosted inside the U of O Bookstore. There will be lots of professional artists from all around showing their techniques - from watercolor to colored pencil. There's always lots to see at these shows.

Friday Art links
I'm sorry it's been a few weeks since I posted some fun friday art links. Here are some that I found this week. I hope you find them inspiring.

Copic Community
First of all, I want to remind you about Copic Community. This is a place where YOU can post any work you've made with Copics. Visit CopicCommunity.com to see what I'm talking about.

Drawing heads
Have you ever wanted to draw realistic heads? This link has a fabulous tutorial that steps you through the rights and wrongs of drawing heads. www.anticz.com

Digital Photography Tips
I know that many of you have your own blogs and you take your own digital photos to upload. Dig through this site for some ideas on how to get more from your camera and consistently take better shots. I strongly suggest you read through it! The best blogs out there stand out because their photos are clean and well-planned. www.digital-photography-school.com

Monday, August 24, 2009

Feather blending, revisited

I know that sometime last year I discussed feather blending, but as this is the trickiest blending technique using the markers I want to cover it again and show you step-by-step how to make more dynamic color blends.

Blending opposite colors
Feather blending is the technique we use when we want to blend colors that are very different, say a pink and a green.

If we were to layer those colors on top of each other they would turn into a muddy mess of color, however, we want them to look like they smoothly blend into each other. You can review my older post here.

This is advanced because this is the trickiest technique. I'm also adding another layer of color so my blend is going to end up more dynamic than it would if I just used 2 colors. If you can't figure this out just by reading the blog don't feel bad. This is a very tricky technique to understand unless you see it done. Even then it is hard to duplicate and takes a steady, light hand.


Today I'm working with this Iris image by GCS Artstamps. Irises are hard because they fade from a deep, rich blue-violet purple to a bright yellow center. I start by laying down my yellow centers. I put a base of Y13 and feather it out into each petal. Then I darkened the middle with a hint of Y17 on each flower.


If you look at the inset diagram above you can see how I am going to layer on the BV000. I feather the yellow one way, VERY LIGHTLY, then I feather in from the opposite direction the light purple. When I'm done I will get a natural looking blend from yellow into BV.


If you still see streaks on either layer then review the steps in my earlier post. You should also color in many very light layers until you've built up the smooth area you need. This is very tricky, and it works best with the side of the brush nib. Practice flicking the brush to get the proper technique.

Next, I feather in my dark BV04 to each petal, following the same direction as the BV000. I am going about half-way into each lighter area. I am leaving plenty of the light purple before it touches the yellow, likewise, I am giving myself plenty of the dark area to blend back in.

Note: If it seems like your marker layers are starting to bleed outside your lines then STOP! It is very easy to oversoak the paper when using this technique. Let your paper dry out a bit before adding more of the light color, then it won't bleed so much.


At this point I want you to look at the diagram below. Note the 3rd step where I am adding in the BV000 to blend the light and dark together. Right where the dark meets the light I am putting the heaviest flow of ink. Then I lift up and feather out in both directions from there. This pushes the darker color back into itself (note also that I am not going all the way back to the far edge of dark, but almost that far).


When you look at my final Iris image you can see how the color fades smoothly from the rich, vibrant yellow to the much darker blue-violet. I could go in even more and darken the underside of each petal with an even darker purple, but I think I'll leave it for now.

Image stamped with Memento ink onto Neenah Classic-Crest solar white cardstock and touched up with a 0.1 mm multiliner SP.

Sunday, August 16, 2009

Southern California

I'm here in sunny Southern California. Friday we had some fabulous store visits with Scrapbook Heaven- and Collective Journey. We made some very cute cards in our make-n-takes and workshops. I know you're excited to come to visit Copic and Our Craft Lounge today at these other great stores:

Yellowbird Scrapbooking-10-12pm El Cajon,
Scrapbook Your Life-1-3pm San Diego,
Cool Scrapbook Stuff- 4-7pm Poway,

Meanwhile, I'm getting ready for Monday's certification class in Carlsbad. This class is totally full. I know a lot of people down here would like to attend another Certification, but my next class in this area won't be until January when we host a class the day before CHA.

If you are trying to get into my class at Scrapfest next month in Minneapolis be aware that space is filling VERY fast for that class, so get your applications in quickly, even if you are going to be on the waiting list. Don't feel bad if you can't make it to a certification... you can always take a class from an instructor near you who is certified, as there are many excellent instructors out there who are teaching some great classes (I bumped into a few great teachers already on this trip, and I know I'll see even more today and monday). Support your local stores! Take workshops and classes.

For today, I hope to see you at one of the many stores we're visiting. Have a great weekend and keep coloring!

Thursday, August 13, 2009

Contrast Contrast Contrast

People frequently show me their coloring and they ask me if they are doing it correctly. Almost always their coloring is great. It looks smooth, their blends are nice, and their colors match each other well. So why do they feel that there is a problem? Because their artwork doesn't jump off the page - it just looks flat and sits there.

Contrast
I know I mention it often, but the biggest reason the art doesn't look complete is because there isn't enough color range to make it exciting. To achieve the look of 3-D you need to have darker darks and lighter lights. Don't forget that Copics come in all 334 colors for a reason (I know the new pale colors are exciting, but don't forget about dark colors too!).

Look at the top example of this cute little turtle. I followed all the rules. I colored in color families that are all bright and vibrant. I picked colors in two color sequences that follow the Natural Blending groups. All my colors are just a few digits off from each other (except yellows because those are so vibrant you can get away with larger jumps). He's cute, you can see some shading, but he's kind of flat looking and plain.

Now compare him to the bottom example. All I did was take each color group from the first and add one shade another 3 or 4 digits darker (the yellow was shadowed with a grayer yellow, Y26). Just that one simple change in each color group makes the turtle appear more alive and rounded.

You might be one of the people who needs this. Look at your work. Hold it at arm's length and squint at it. Does it all blur together, or can you see shapes and forms because of the shadows? If your colors seem flat then add more shadows (go dig through my older posts to find out where to put those shadows). It may take a bit of effort to get out of your comfort zone to add the deeper colors. If you find yourself only using colors that end in a 5 or lower then I strongly urge you to add a bit of darkness in.

Try today's example for yourself. Color a picture in only 2 colors, then color the same picture and add in a darker value to each color family. I think you'll quickly see the change it makes.

Here is my final, easy card I made with this image. It's for my son's summer play-group teacher, his play group ends this week and he really likes his teacher. I stamped Kona with Memento ink onto Gina K. Pure Luxury cardstock, used Prima crystals, paper by Reminisce, and wrote the sentiment with my 0.3 mm Multiliner. Have a great week, and I hope to see you in Southern California this weekend!

Wednesday, August 12, 2009

Wednesday updates

I'm busy getting ready for my trip to Southern California this week, but I wanted to send some updates out about my upcoming workshops.

Certification Classes
3 new locations have been coordinated for this October. Please sign up on the sidebar of this blog to get the applications for these locations:
4th Decatur, GA taught by Sally Lynn
24th Coos Bay, OR taught by Marianne
28th Grand Rapids, MI taught by Marianne

August
15th Vancouver, BC taught by Sherrie FULL
16th Eau Claire, WI taught by Sally Lynn FULL
17th Carlsbad/Oceanside CA, taught by Marianne OPEN (e-mail orders@copicmarker.com for an application)
22nd Calgary, AB taught by Sherrie FULL
29th Edmonton, AB taught by Sherrie. OPEN

September
17th Minneapolis, MN (from 1pm to 7:30pm, buffet dinner included, $130) taught by Marianne Open

The following classes are upcoming. Applications have NOT gone out yet, so sign up on the sidebar of my blog through Vertical Response to get on the mailing for those classes.

October
4th Decatur, GA taught by Sally Lynn NEW
24th Coos Bay, OR taught by Marianne NEW
25th Evansville, IN taught by Sally Lynn
28th Grand Rapids, MI taught by Marianne NEW

November
22nd Columbia, SC taught by Sally Lynn

December
13th San Antonio, TX taught by Sally Lynn

January 2010
10th Miami/South Florida taught by Sally Lynn (TBA)
23rd Anaheim, CA taught By Marianne

Other Potential locations in 2010
Shawnee, KS • Memphis, TN • Tulsa, OK • Columbus, OH • St. Louis, MO • Indianapolis, IN • Houston, TX • Phoenix, AZ • Denver, CO • Seattle, WA • San Francisco Area • Los Angeles Area • Toronto / Eastern Canada

Other events
Just to remind those of you in So. Cal, I will be doing demos and workshops at a lot of stores:

August 14th

Scrapbook Heaven- 12-2pm, Westminster
Collective Journey 5-8pm, Redlands,

August 16
th
Yellowbird Scrapbooking-10-12pm El Cajon,
Scrapbook Your Life-1-3pm San Diego,
Cool Scrapbook Stuff- 4-7pm Poway,

August 18th - Art Institute of San Diego Demos and workshops (students only)

Then look for me in September at Scrapfest in Minneapolis. I will be at Savannah College of Art and Design the first weekend of October. Also in October you can come to an evening workshop on the 23rd at Memories of Time in Coos Bay, OR. Keep checking back for more locations where we are hosting events. I'll try to post some new things before I leave town. Have a great week!