Monday, March 5, 2012

Copic Coloring Guide:Level 2, Bloghop


Good Morning!

I am so excited to participate this morning in the blog hop for my new book, Copic Coloring Guide, Level 2: Nature! Colleen Schaan and I worked so hard on this book. We wanted each of you to be able to learn as clearly and easily as possible, and we both feel that the step outs, blank images, and gorgeous finished projects will help you see each technique and be able to re-create it for yourself.

Annie’s Attic did an amazing job pulling this book together for us. We love how it came out, and we think each of you will love it too. Colleen coordinated a fabulous team of designers to contribute to this project.

I made one card project in the book...for those of you who have your copies, see if you can find it (Stamp: Our Craft Lounge)! However, I had the pleasure of drawing ALL the images that we step-by-step color in the book. You'll love how comprehensive and simple we make the coloring.

So, would you like to win your very own autographed copy of the book??

Please visit each of the blogs listed below and leave a little love. Each designer will be drawing from the comments on their own blog for the winner of an autographed copy. (Signed by Colleen, myself and that particular designer!) Commenting is open until Friday, March 9th. Winners will be announced on individual blogs.

Michele Boyer

Lori Craig

Jennifer Dove-Bonner

Sharon Harnist

Tammy Hershberger

Melanie Holtz

Michelle Houghton

Debbie Olson

Claudia Rosa

Collen Schaan

Marianne Walker ( don't forget to comment here for a chance to win my copy!)

Thank you, and Good Luck!!

Saturday, March 3, 2012

Popular Skin Colors

Blank Skin Color Chart
When we go to Comic shows, people are always interested in our most popular skin colors. Today I want to share the chart that we fill out and have at those shows. This is free for your own personal use and not to be sold or used for commercial gain.

For other color charts provided by Copic, please visit our website. And, don't forget to enter your favorite skin color combo on Thursday's post for a chance to win two rolls of double-sided tape.

Thursday, March 1, 2012

New Design Team Members

Note: Commenting has closed on this post
Welcome to the Copic Family!

It has been a while since we added anyone new to the Copic team, and so it is with great excitement that we are pleased to announce TWO new designers to the Copic Papercrafting Team:
Congrats!! We are so happy to have these talented ladies sharing their skills with those of you who are craving more wonderful projects and ideas for using Copic Markers.

And, if that news wasn't good enough, we are celebrating with some amazing giveaways...

Please visit Cindy & Michele's blogs for a chance to WIN a new Copic Carry Case! Read their blog post, leave a comment, welcome them to the Copic team, and you will be entered to win a case.

Cindy Lawrence
Michele Boyer

But while you are here on my blog, leave a comment on today's post and let me know:

What is your favorite Copic skin color combo?

I am giving to THREE lucky winners, two rolls of the popular XPress-It double sided tapes. Each winner will receive one roll of the unique 1/4" foam tape, and one roll of our regular double-side tape. (Contest only open to US and Canada). Please make sure I have a way to reach you, a valid e-mail address or blog site, as it is hard for me to find winners sometimes.

Winners from my blog will be announced Monday. March 5th

To celebrate, this weekend all of our other designers and instructors will also have giveaways, so check them out. Some will be celebrating today, some tomorrow, so check both days.

Sherrie Siemens
Colleen Schaan
Debbie Olson
Lori Craig
Sharon Harnist

Again, we are really looking forward to working with Michele and Cindy, and we thank you for helping us give them a warm welcome to the team!

Tuesday, February 28, 2012

Spring Pink Flamingo

Happy Springtime!
The other day my husband was joking about putting out a pink flamingo among our bulbs that are starting to sprout. While I didn't want one in my yard, it got me to thinking about drawing one, so today I am giving you your very own free digi pink flamingo, and some tips about coloring it.

Please enjoy this image for your own personal use, and not for publication. You are welcome to upload finished images to the Copic Facebook page :)

Green and Blue
This image has a beautiful row of tulips, and a lot of blue sky visible between the flowers. However, many of you who know me know that I am impatient and always looking for a faster/easier way of coloring. I wanted the sky to fade behind the flowers, but I didn't want to take the time to be picky about coloring the sky perfectly.

Many of you, in coloring this image, might start by coloring the leaves with YG05, as shown in A. However, that would be tedious once I went in and tried to blend out my pale blue sky.

So, I started by coloring the sky, as shown in figure B. I colored with my BG10 and blended it all pretty with my colorless blender, without worrying about the leaves, since there is blue in green. The BG10 is so pale I knew that it wouldn't really affect the bright green that will go over it. See how much quicker coloring is, once I didn't worry about the leaves? I tried to keep the bulb tops white, as those will be pink and the BG10 would not make the pink look as pretty.

Next, I colored my basic flat colors. I started with RV52 for my base pinks, YG05 for the leaves, N7 for the black beak, and E13 with E44 spotted on for the ground.

Then, I went back and added my first level of blending. What a difference it makes! I added RV55 to all the light pink areas. Then, I added YG63 to the vibrant green.

For my final layer of contrast, I added RV66 to the pinks, and a hint of Opaque white to the highlights on the plastic flamingo. I darkened the contrast on the leaves with G46. I also dotted in a few more spots of color into the ground with YG61 and some more E44.

Overall, a very simple image, and coloring was really quick (scanning and writing the tutorial took a lot longer than coloring the image!) I hope you have as fun and easy a time coloring it as I did.

On Thursday I have a great announcement, so stay tuned!

Wednesday, February 22, 2012

Certification updates

Certification Updates

Wow! Just about all of our classes are full or almost full. We still have a couple spots left this weekend for our Miami class, and two new classes opened today, but otherwise, our classes are SOLD OUT!

Remember: I will be teaching the Phoenix Intermediate class coming up next month, and Sherrie will be teaching the Columbus OH classes.

Each time a class opens, we send out an e-mail to that region. If you have not been getting the new class e-mails, please register with Nancy, nancy@copicmarker.com

Feb. 25 Miami, FL taught by Lori Craig Open to Public

March 2, Edmonton, Alberta, taught by Sherrie Siemens FULL
March 8, St. Louis taught by Lori Craig FULL
March 9, Columbus, OH taught by Sherrie Siemens FULL
March 10, York, PA taught by Marianne Walker FULL
March 23, Phoenix, AZ taught by Lori Craig FULL

April 13th, Seattle, WA taught by Lori Craig filling fast!!
April 19th, Milwaukee, WI taught by Debbie Olson filling fast!!

Applications have not gone out yet for:

May, TBA
, Toronto, ON taught by Sherrie Siemens
May 18th, Dallas, TX taught by Lori Craig

North American Intermediate Certification Classes
Take your coloring to a new level with these exciting Intermediate Certification classes. You can now take these classes back-to-back with the standard classes. To apply to any of these classes, please visit our website and you will find an overview of the program.

Feb. 18th Richmond, VA taught by Debbie Olson FULL

March 3, Edmonton, Alberta, taught by Sherrie Siemens FULL
March 9, St. Louis, MO taught by Debbie Olson FULL
March 10, Columbus, OH taught by Sherrie Siemens only 2 spots left!
March 24, Phoenix, AZ taught by Marianne Walker FULL

April 14th, Seattle, WA taught by Sherrie Siemens filling fast!!
April 20th, Milwaukee, WI taught by Debbie Olson filling fast!!

May, TBA, Toronto, ON taught by Sherrie Siemens

Thursday, February 16, 2012

Screen Tones, Part 2

Today I wanted to finish up the tutorial on using screen tones. Yesterday we talked about using screen tones with a black & white illustration, today I wanted to discuss colored artwork.

Screen Tones and Colored Images
Coloring screen tones can be kind of tricky. The problem is, that screen tones are non-porous, and if you try to color over them with Copic markers, it will not work very well. Here are two options to allow you to color your work.

1. Color before you apply tone

Color your image with markers before you apply any tone. As you can see from the first image, the girl doesn't look too bad, but I want more texture to her shirt, and I want the sky to have that same pattern from yesterday. I colored it, planning where tones would be, and having my textures mimic the tones I will be applying (dots in the sky pattern).

Once ALL my coloring is done, then I can apply tones like I did on yesterday's post. Be sure to burnish your tones well, or else the colors will not appear as nicely through the tone areas.

Cutting note: If you are going to be cutting along straight lines, cut against a metal ruler or metal-edged wooden ruler. Your craft knife may get caught on the edge of a wooden or plastic ruler and nick or damage the edge. When cutting with a metal ruler, be careful to keep the sharp edge of your blade from scraping against the metal. This might damage the blade. Try not to push too hard on the ruler when cutting, as it may stick the tone down where you don't want it to go.

Soft Paper warning: If you have a very soft or fibrous paper, when you try to pull up the extra tone it may pull up some of your surrounding colored areas. This might be more pronounced if you are coloring with colored pencils and especially chalks. This is not as big a problem with marker, which permeates the paper better.

2. Apply tones to black & white image, then photocopy & color the copy

I always prefer coloring a photocopy, otherwise there is no way to undo a mistake if there is a problem with the coloring.

You may have to adjust your photocopier contrast to get the best printout when you copy your line work. Make sure the contrast is high, so you don't lose any line darkness on areas where you may not have burnished the tones enough. If it copies too dark, then lower your contrast or increase your brightness.

If you are going to be shrinking your final piece: whenever possible, color the full scale version, then shrink later. This helps you have the most detail and it is much easier to accurately color tiny areas if they are slightly larger.

Final images: Drawn with .3mm Multiliner, Sky: B32, 0, Y01, YR30, Hair: Y02, Y21, E43, B32, Eyes: BG13, B05, C1, C3, Shirt: YG63, G99, Skin: E000, E11, BV00, V12, Y02, B32. Screen Tones: Y-1589, and Y-1204

Wednesday, February 15, 2012

Screen Tones

This week I wanted to share a tutorial about a product many of you may have not heard of, yet we carry it here at Copic on our web store.

Screen Tones
Screen tones are a specially printed transparent sticker that is commonly used for adding patterns and shading to comics. If you have ever had to do a lot of cross-hatching, tones can save you a lot of tedious drawing. Screen tones are more popular in Japan, where a lot of comics are still drawn by hand, however, they are growing in popularity here in the U.S.

Although they are usually used for comics, screen tones are great for mixed-media, crafts, and many other applications. We carry about 40 different tones in our store. From clouds and trees, to gray and stripes. As each one is transparent, you can layer, mix, and match to get the effect you need.

Tools
Screen tones require a few basic tools to get best results.

1. Good cutting mat. I use a clear one so I can use it through my light table for detailed work, though any "self-healing" mat is good to work on.

2. Sharp craft knife. I use an exacto knife, and I keep plenty of sharp blades so I never worry about ripping my tones when cutting, and I don't have to push very hard to get a good cut.

3. Artwork. I photocopy my work, and add tones to the copy, just in case I make a mistake. You will get best results if your work is printed on medium to thick paper (because you are cutting into it and don't want to damage it).

4. Burnishing tool. I use a bone knife, but there are special burnishing tools you can purchase at art-stores.

Using Screen Tones on
a Black & Whi
te Image
These basic steps will help you add tones to a black and white image. See tomorrow's post for directions on working with colored images. there are lots of ways to use screen tones, but this is the technique I happen to use.

1. Peel the screen from the protective backing sheet. Position artwork under the pattern area you want.

Note: if you are afraid of damaging your artwork, you can place your art under both the screen and backing layer, as they are still fairly transparent. Be aware that your screen may shift when cutting, so tack it in place with a removable tape.

2. Make your rough cut around basic area, and peel back tone layer. Save unused tone on the sheet of backing paper.

• Cut lightly so you don't damage your artwork!
• Try not to press the tone down in areas where you will be making additional cuts and removing pieces.
• When peeling, be careful to not fold or stick unused tone to itself.
• Keep even the tiniest scraps, as they are useful in all sorts of situations.

3. Cut detailed areas and peel off excess tone. Carefully burnish tone (firmly press tone into illustration) to make sure it is firmly applied.

• Burnish evenly from the detailed areas out towards the edges. This helps avoid wrinkles.
• To protect the screen tone while burnishing, you can place a piece of clean scratch paper between the tone and the burnishing tool.
• Be sure that edges are very cleanly rubbed down.
• If ink lines appear slightly gray under the tone, continue to burnish until the lines look black.

4. Add other tones, using steps above.

• Be careful that you don't accidentally pull up your first layer of tones when removing excess tone from the second layers.
• Again, when you are done, be sure to burnish completely.
• When layering multiple tones in one spot, be extra careful when cutting so you don't damage lower tone layers.
• You can make an area darker by layering a second layer of the same tone, simply off-set or turn the next layer slightly until it covers more white.

5. To add highlights to a toned area, carefully scrape away printed tone (not the sticker backing). See photo.

• Tone can also be carefully removed with a sand eraser, available at art stores.
• Use the side of the blade to avoid scraping through the sticker layer.

Once you are done, if you need to touch up any areas with an inking pen, be aware that the screen is non-porous, so any ink lines drawn over tone will need to be allowed to dry for a long time or else they may easily smear.

As you can see from the finished piece, screen tones help make the artwork look a lot more textural and interesting, without having to go through the computer. Best of all, if you are going to be photocopying your artwork, screentones photocopy well, and shrink or enlarge nicely.