A few weeks ago I was at a demo up in Winnipeg, Alberta. I had a chance to make a quick sketch of a knight and color it in the second day of their open house event. I don't remember exactly what colors I used, but I will try and guess as I show you a few step-by-step pictures.
I drew this guy with a 0.05mm multiliner onto Copic Alcohol Marker Pad paper. Then, I photocopied my outlines onto the new Art Paper Pack paper (Copic Sketchbook paper).
I began coloring his blue surcoat. I think I used B000, B32, B45, BV13, Y00, and maybe a couple others. Notice how I left the highlights on each wrinkle a clean, crisp white. This enhances the shadows and adds a nice contrast on a fabric that is supposed to appear pale.
Then I moved onto his reflective metal. Notice the strong contrast, the bright whites that I left, right next to the dark grays. I used a wide range of the cool gray markers, then added highlights of Y00, and extra shadows with B000.
I can't remember what colors I used on the back of the shield, but I gradually built up colors and contrast until I got the look I wanted.
Notice the light sketch suggesting a background. I didn't want hard lines to define the background or foreground, as I wanted to keep the knight the most important/highest contrast object in the picture.
I kept working around his image, darkening the chain mail with the same cool grays I used on the shinier metal areas.
On his arm bands, I wanted a different feel. I honestly don't remember what material I was trying to achieve, just something kinda dusty so it didn't conflict with the other metal in his ensemble. The leather straps were closed with a range of E11, E13, E15, E18, and some grays.
Again, notice how I left strong contrast on the metal sword, but included faint highlights of pale yellow to enhance the white areas.
Here is a quick photo of the final image. I colored the cape with R24, R29, R59, Y00, and B39.
To simulate depth of field in the illustration, I kept my highest contrast on grass and shrubs in the foreground, with details and color range getting lost as it heads off into the distance. I finished up with highlights of Opaque White on many of the metal objects.
Overall, I liked this more when I was drawing and coloring it, but now that I look at it a month later, it's hard for me not to see the flaws. (We tend to be our own worst critics sometimes)
If you are working on a piece of art, don't get hung up on the flaws! Just try next time to do it better. I know what I want to change next time I draw a knight. However, the parts I really like are the colors on the surcoat and cape. I also like how I colored the helmet and steel boots.
Meanwhile, don't forget to come visit me at my free book signing events for my Coloring Flowers book!
Friday, May 29, 1-4pm, U of O Bookstore, Eugene OR
Saturday, June 13, 4-5pm, Main Street Stamping, Tigard OR